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==== '''Abolitionist Creativity / Seizing Online Knowledge Production in Solidarity with Palestine''' ====
==== '''Abolitionist Creativity / Seizing Online Knowledge Production in Solidarity with Palestine''' ====
The shift from hard assets to intangibles as the primary source of value in the world's largest companies underscores the growing significance of intellectual property in the digital sphere. Intellectual property, such as patents, copyrights, and trademarks, has become a critical driver of innovation and competitiveness, allowing companies to protect their intangible assets and capitalize on their unique ideas and creations, while at the same hoarding and monopolizing it. This is our attempt to hack into the digital power of OWNING what we PRODUCE online, on all platforms.  
The shift from hard assets to intangibles as the primary source of value in the world's largest companies underscores the growing significance of intellectual property in the digital sphere. Intellectual property, such as patents, copyrights, and trademarks, has become a critical driver of innovation and competitiveness, allowing companies to protect their intangible assets and capitalize on their unique ideas and creations, while at the same hoarding and monopolizing it. This is our attempt to hack into the digital power of OWNING what we PRODUCE online, on all platforms. Different forms of licensing have been central to digital rights and free software developments for many many years. In this GM we're highlighting an approach that intersects with the specific context of Palestine.  


Join us for a meetup, where we will be experimenting with abolitionist approaches to intellectual property, to put your production on the line, in an act of solidarity with Palestine. In this conversation, we seek to understand the impact of copyright laws on our work as knowledge producers, and the ways online structures oppress and are complicit with the Occupation of Palestine. We recommend reading this beforehand:  
Join us for a meetup, where we will be experimenting with abolitionist approaches to intellectual property, to put your production on the line, in an act of solidarity with Palestine. In this conversation, we seek to understand the impact of copyright laws on our work as knowledge producers, and the ways online structures oppress and are complicit with the Occupation of Palestine. We recommend reading this beforehand:  

Revision as of 09:06, 15 June 2023

Glitter Meetups

Glitter Meetup is the weekly town hall of the Internet Freedom community at the IF Square on the TCU Mattermost, at 9am EDT / 1pm UTC. Do you need an invite? Learn how to get one here.

Abolitionist Creativity / Seizing Online Knowledge Production in Solidarity with Palestine

The shift from hard assets to intangibles as the primary source of value in the world's largest companies underscores the growing significance of intellectual property in the digital sphere. Intellectual property, such as patents, copyrights, and trademarks, has become a critical driver of innovation and competitiveness, allowing companies to protect their intangible assets and capitalize on their unique ideas and creations, while at the same hoarding and monopolizing it. This is our attempt to hack into the digital power of OWNING what we PRODUCE online, on all platforms. Different forms of licensing have been central to digital rights and free software developments for many many years. In this GM we're highlighting an approach that intersects with the specific context of Palestine.

Join us for a meetup, where we will be experimenting with abolitionist approaches to intellectual property, to put your production on the line, in an act of solidarity with Palestine. In this conversation, we seek to understand the impact of copyright laws on our work as knowledge producers, and the ways online structures oppress and are complicit with the Occupation of Palestine. We recommend reading this beforehand:

Invited Guest: Julia Choucair Vizoso is an independent knowledge producer and former managing editor of The Public Source. She works on environmental and climate justice in the Arab world, teaches courses on political economy in Madrid, and occasionally translates Arabic literature into English. She plots on intellectual property at the art collective AbolishIP.

Notes

Notes will be posted here